It's hard to believe that BroadwayCon has only been in existence for three years (and, yes, I've been there for all three)! It's been fun watching this convention and community grow over the years, as I've seen other repeat offenders and made some new friends.
Day One - Friday, January 26th, 2018
After the line for RuPaul's DragCon wrapped around the block last Fall, I arrived at the Javits Center a little early. It was nice to have time to get through security, grab my bag of BroadwayCon gear and browse the Museum before heading to my first panel of the Con. There was Kevin Smith Kirkwood's "Angel" costume from Kinky Boots, a "CONNOR" cast from Dear Evan Hansen and many other props/memorabilia.
I started with "Dancing Through Life: The Transition from Dancer to Choreographer" hosted by Howard Sherman and featuring Sergio Trujillo (On Your Feet!) and JoAnn M. Hunter (Thoroughly Modern Millie). As a fan of dance and choreography, it was interesting to hear Sergio and JoAnn's journeys from dancing in shows, picking up dance later in life and moving on to choreographing shows. My only disappointment, we didn't get to see them dance together!
After learning about dance, I walked down the hall to "The Broadway Ensemble Panel" with the hosts of one of my favorite podcasts, The Ensemblist - Nikka Graff Lanzarone and Mo Brady. The panel featured some of my favorite ensemble members - Thayne Jasperson (Newsies, Hamilton, SYTYCD), Ben Tyler Cook (Tuck Everlasting, Mean Girls) and some other ensemble members that were new to me - Grasan Kingsberry, Jennifer Foote and Vasthy Mompoint. I learned what it's like to "cover" a role as a swing (and how many parts that Jennifer and Vasthy have to know in their respective shows), to add their own stories to their characters and what they've learned from being in an ensemble and sometimes in the OBC, like Thayne, a few times over.
After two panels, I took a little break to get something to eat and walk around the BroadwayCon Marketplace. I found the Dear Evan Hansen booth, where you could post a photo to social media and it would generate a sticker to be added to the DEH mosaic. The equipment told the team where to put your photo on the mosaic, so it would make up Evan's signature striped blue polo. At first, I wasn't sure what I wanted to post; then it occurred to me to find a "nostalgic photo" and I found a pic of me climbing the tree in my childhood front yard. Hard to resist that adorable photo, right? The girl working the booth even commented that it was one of the best ones that she'd seen; "I climbed higher & higher, until the entire sun shines on my face!" (See the OG post on Twitter: https://twitter.com/emoleechen/status/956948849679126529.)
With some food in my belly, it was time for "Actors and Activism with Anthony Rapp and Ilana Levine." Along with Emily Skeggs, Arian Moayed, Britton Smith and Lisa Kron, the panel addressed what they as actors have been doing to help our current political/social climate. I enjoyed hearing about each actor's passions and causes; especially after seeing Emily in Fun Home and in the mini-series When We Rise. Sometimes it can feel overwhelming with the number of causes that need attention and help, but they emphasized that you should pick a few to devote your time to and impact them the best that you can. For me, that's Broadway Cares/Equity Fights AIDS and other programs through charities like Housing Works and God's Love We Deliver.
Then I was off to hear more about one of my favorite shows, Kinky Boots at "Everybody Say Yeah: Kinky Boots after 2,000 Performances." Here, BroadwayGirlNYC - Laura Heywood, sat down with four of the "Angels" from the show - Kevin Smith Kirkwood, Joey Taranto, Charlie Sutton and Kyle Post and current Charlie Price, Jake Shears from Scissor Sisters. Although, I've seen the show 5 times, I never get tired of it. I was fascinated hearing about each of the actor's auditions for their "Angel" role, their own drag queen names/personalities, the number of shows for Kinky Boots that they have been there for (KSK wins), coming back to the show and so many other stories. I was intrigued by Jake Shears and although I wasn't running to see him as Charlie, this panel convinced me to buy a ticket to see him, Kirstin (from Pentatonix) and Wayne Brady in a few months. Mostly, I really enjoyed learning how Charlie keeps his body in amazing shape for that boxing ring outfit and how Kyle can't do the split leap, so he just twirled his gum in his audition and Jerry Mitchell loved it!
The day had seemingly flew by and now it was time for the Opening Ceremony! For the first time, there wasn't a big production number and various Broadway stars just came onto the stage and sang. Highlights for me: Betsy Wolfe (Falsettos, Waitress, The Last Five Years) and Billy Porter (in an amazing giant furry hat)!
Immediately following the Opening Ceremony was a reunion of the cast from In The Heights, as the show made it's Broadway Debut almost 10 years ago! Everyone was excited to see the cast, especially Lin-Manuel Miranda and the panel was hosted by his father, Luis Miranda. Even though I saw In The Heights when I first moved to NYC, I was blown away by the number of crossover from ITH into Hamilton and how Lin kept his friends involved in both projects, especially Javi and Chris Jackson. (That's friendship!) I realized that I probably saw most of the OG cast when I went to the show, but at the time my Broadway obsession was only starting to gestate; so I can't remember if I saw Joshua Henry or Mandy Gonzalez. (I can say that I did go to see Corbin Bleu though...as any good High School Musical fan would have done.)
My last panel for the evening was "Show Spotlight: CHICAGO - The Landmark Institution of Razzle Dazzle," featuring Kandi Burruss (The Real Housewives of Atlanta and Xscape member), Joel Grey, Bebe Neuwrith, William Ivey Long and hosted by Paige Davis (Trading Spaces and she played Roxie on Broadway). I loved hearing about the process of recreating Bob Fosse's work, recasting Roxie/Velma, each of the actor's journeys with the show and so much more. Even with not much of a "wow" factor in production on the small stage at the Ambassador, people keep coming back again and again to this show. They always are able to do so much with very little, speaking to the quality of the show!
By 7pm, I'd hit my limit at the Javits Center and headed on my way home to rest up for Day Two.